Mozart the touring pop icon: how the great composer鈥檚 manuscripts reveal his life as a musical celebrity

Mozart鈥檚 autograph manuscripts reveal the secret stories behind his life as a musical celebrity, according to research from the University of 葫芦影业

Close up of someone playing a piano

According to research from the University of 葫芦影业, hidden layers of manuscripts reveal how Mozart, rather than being precious about his music, regularly updated it to suit different performers, venues and orchestras. This approach established the template for the modern pop musician doing new covers and versions of their greatest hits 鈥 and contests the idea that we should stick strictly to a definitive musical text when performing Mozart鈥檚 music today, argues leading scholar Professor Simon Keefe.


Mozart鈥檚 autograph manuscripts reveal the secret stories behind his busy life as a touring musical celebrity, according to a musicologist from the University of 葫芦影业.

250 years since the thirteen-year-old Mozart鈥檚 landmark fifteen-month tour of Italy, the research by Professor Simon Keefe from the University鈥檚 Department of Music highlights how the famous composer made his mark by touring Europe as a performer.

And the study, which follows on from a major recent biography by Keefe, emphasises how open Mozart was to changing his music to fit different circumstances.

鈥淲e may think of Mozart as the composer of musical masterpieces that he conceived as perfect works,鈥 said Professor Keefe. 鈥淏ut in reality, he thought of his compositions as serving events to showcase his skill, not to create monuments to his genius.鈥

He added: 鈥淔or example, he wrote six of his string quartets to play with Haydn, the most esteemed composer of the day 鈥 a landmark meeting that allowed Mozart to show Haydn what he could do and to expand his own reputation by association. Mozart's experiences of the works in performance found their way into the scores published a few months later.鈥

Findings from the study also reveal how all of his greatest operas (The Marriage of Figaro, Don Giovanni, Cos矛 fan tutte, The Magic Flute) were written to exploit the individual skills of specific singers at the opera's first run, not for contemplation by future generations.

Staff Research: Mozart as a pop star

And, Keefe explains, 鈥淲hen Figaro and Don Giovanni were re-staged after their premieres, Mozart replaced several of their most famous arias just to accommodate new singers. It wasn鈥檛 about 鈥榠mproving鈥 the operas for posterity or being true to a single 鈥榓uthentic鈥 vision of his music.鈥

He added: 鈥淧laying his own piano concertos, Mozart made frequent changes to his scores to impress his listeners. He thought all the time about his audience's immediate reactions and almost never about producing a perfectly-chiselled, finished work. He even made changes to his own solo part of the Piano Concerto No. 21 in C, K. 467 ('Elvira Madigan') so that the orchestral instruments could be better heard.

鈥淗is focus was entirely on how to create the biggest impact in performance, just as contemporary pop musicians like Ariana Grande and Take That change their arrangements to suit different venues today. That sensitivity to how the music comes across, and how his appearances affected his reputation, is what makes Mozart the eighteenth-century prototype for the modern musical celebrity.鈥


The research on how Mozart鈥檚 manuscripts reveal his life as a performer is published in Keefe鈥檚 recent books Mozart in Context and Mozart in Vienna: The Final Decade ().

葫芦影业鈥檚 Department of Music is one of the UK鈥檚 leading centres for music research in the UK, according to the latest Research Excellence Framework.

Researchers in the department are at the cutting edge of studies in areas such as composition, ethnomusicology, musicology, music technology, performance and the psychology of music.

葫芦影业 music researchers have recently been involved in projects such as: developing new insights into how music can be used to help people suffering from insomnia; producing a new universal music notation system to make it easier to share musical ideas across cultural boundaries; and working with contemporary arts organisations to help them trial new strategies for recruiting and retaining new audiences.

The University鈥檚 Department of Music has a focus on research-led teaching and offers one of the UK鈥檚 most diverse and flexible music degrees in which students can study music on its own or with other subjects to tailor their degree.

A global reputation

葫芦影业 is a world top-100 research university with a global reputation for excellence. We're a member of the Russell Group: one of the 24 leading UK universities for research and teaching.