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- a brand new site tracing the changing sound of the city. Spearheaded by a new project with the , Where have the rivers gone? A sonic exploration of the Sheaf and Porter rivers.

USSS recently featured on Acoustic Frontiers in Ottawa:

To listen to more works by USSS composers, visit the .

Subscribe and stream music by Adam Stanovic and Adrian Moore at  and purchase CDs and Books from .

Fields of Darkness and Light by Adrian Moore

An example of a 'mixed' work for violin and electroacoustic sound. 

Prizes and awards to USSS Researchers over the past few years.

Alejandro Albornoz:

• Third Prize at SIME (France), 2016, for his piece 'La Lumière'.

Issac Baggaley:

• Finalist at SIME (France), 2016.

Chris Bevan:

• First Prize at JIM (France/Canada), 2015 for Circum
• Finalist at SIME (France), 2016 for Parted Reflections
• Residency Prix at CIME, 2017 for Circum 
• First Prize at Musica Viva (Portugal) for Ceramos
• Prize at Festival Exhibitronic (France) for Under Fluid Skies 

Dimitrios Saava:

• Third prize in the Iannis Xenakis International Electroacoustic Composition, Thessaloniki, Greece, for the composition Moment of Liberty II: Falling Within. (2019)
• Fourth place in SIME 2019 International Electroacoustic Music Competition, Lille, France, for the composition Moment of Liberty II: Falling Within. (2019)
• “Highly commented” mention from the Arts Electronica Forum Wallis 2019 festival, Switzerland, for the composition Balloon Theories.   
• “ Mention” 10th biennial International Electroacoustic Music Competition Metamorphose 2018, Brussels, Belgium, for the composition Moment of Liberty II: Falling Within.
• Finalist at SIME (France), 2016 - Balloon Theories

Vanessa Sorce-Levesque:

• First Prize at  (Canada), 2016.

Adrian Moore:

• Counterattack: 1st Prize, 
• Inside and out...again. Mention, 9th Biennial Acousmatic Composition Competition Métamorphoses 2016, Ohain (Belgium)

James Surgenor:

• First Prize (Category A) at  (Czech Republic) 2016: Twist and Turn.

Adam Stanovic:

• Nov 2019 Finalist in Category A, Musica Nova, Czech Republic. Piece: Baltazar’s Adventure through the Great Machine.
• July 2019 Commission from the Groupe de recherches musicales (GRM), Paris, for a new work to be performed in May 2020.
• Nov 2018 Winner of degree II (Electroacoustic Composition) in Category B (professionals) at the International Festival/Competition of Electroacoustic Music and Multimedia “>SYNC.2018”, Yekaterinburg, Russia. Piece: Commuter Flights
• Nov 2018 Winner of degree II (Electroacoustic Composition) in Category B (professionals) at the International Festival/Competition of Electroacoustic Music and Multimedia “>SYNC.2018”, Yekaterinburg, Russia. Piece: Helix
• Oct 2018 Honourable Mention in MusicAcoustica International Composition Competition, Beijing, China. Piece: Would be to Seek.
• May 2018 2nd Prize in the Eleventh International Competition of Electroacoustic Composition and Visual Music, Destellos Foundation, Argentina. Piece: Foundry Flux.
• Sept 2017 Selection in the Tenth International Competition of Electroacoustic Composition and Visual Music, Destellos Foundation, Argentina. Piece: INAM.
• Nov 2016 Finalist in Category A, Musica Nova, Czech Republic. Piece: INAM.
• August 2016 Nomination in the Ninth International Competition of Electroacoustic Composition and Visual Music, Destellos Foundation, Argentina. Piece: Ctrl C.
• May 2016 Honourable Mention, Musica Viva 2016, Miso Music, Portugal. Piece: Foundry Flux.
• Oct 2015 Winner of degree II (Electroacoustic Composition) in Category B (professionals). at the International Festival/Competition of Electroacoustic Music and Multimedia “>SYNC.2015”, Yekaterinburg, Russia. Piece: Metallurgic.

Ross Davidson:

• 2017 - won student category in Klang! For composition Veins Coalesce
• 2017 - Veins Coalesce played as part of The Engine Room International Sound Art Exhibition, London
• 2016 - Granite selected to be played in Ai Maako, Santiago